‘The Queue: A Walk through London’s History’ explores the death of Queen Elizabeth II and the subsequent mourning queue, a reflection of her impact. Focused on the path's cultural and historical implications, the author walked the queue, treating it as an open, urban, historical museum. Analysing the inclusivity and accuracy of the curated walk, the author observed a lack of acknowledgment of slavery and colonialism in the building's history. Inspired by Kibwe Tavares's use of 3D computer generated images in the film ‘Robots of Brixton’, 3D modelling and animation were used to create a more inclusive narrative, decolonising the path by acknowledging its ties to empire and the slave trade. This project aims to provide a more nuanced understanding of national identity and history, challenging a one-sided success story and fostering awareness of modern issues rooted in the past.